Mostrando entradas con la etiqueta distribution. Mostrar todas las entradas
Mostrando entradas con la etiqueta distribution. Mostrar todas las entradas

Apple set to unveil cloud music service

miércoles, 1 de junio de 2011 - Publicado por Manuel en 11:29
Good news, Apple loyal fanboys!. Your beloved leader, CEO Steve Jobs is expected to unveil iCloud Apple´s cloud music service at Apple’s Worldwide Developers Conference on 6 June.

It is thought iCloud will scan users’ hard drives for tracks and allow them to store their music in the cloud so that it can be accessed even when they are not at the same computer. One could say that this movement is a reaction to Google  launch of Google´s Music, the same concept, but by the doodle company, which is available now, only in the States and with an invitation.

As you may be aware of, Google and Apple have been battling for the past year, to conquer the most promising field in this time of digital convergence we are living in, that is, the smartphone segment. Two companies investing in R&D like crazy, one with an open point of view for innovation, the other  with the opposite, paranoid culture. Both companies deploying the weapons for the final clash, trying to build their ecosystems as if they were webs to choke the enemy.


One Apple to rule them all


People that know me know that I am not precisely an Apple lover. Paying more for a shinny wrapping its not for me. Moreover, I´m of the opinion that an open ecosystem, where many players play with the games you provide them, is a better strategy than just being obsessed with control, and having a word in everything. Especially when time to market and being the first mover can be decisive to gain the consumers love.

But with this, there is an issue that moves the balance in favour of the white apple. Google´s approach for their Google´s Music app, at least in the beginning, is to provide a platform where users can upload their music, to listen to it on the device of their choice. That means, the user has to own physically the music in his hard drive. Probably in his desktop/laptop.

On the other hand,” Apple has secured deals with the four major record labels to run their music on the service”, according to a Wall Street Journal report. Google and Amazon have yet to agree terms with record labels. Some people say that the main succeed of the Ipod, was that users could upload their own music, which then lead to the users to buy the Iphone and discovering the Itunes store, getting more and more inside of the platform, which of course guarantees compatibility among the devices. With this Icloud, Apple launch the definitive move in the battle for music. Listen to whichever kind of music you own, or you bought, in whichever device you have. Maybe even in a Chromebook? .

And what´s for the Music Labels, you may ask?. Well, obviously, this is not a cost for them, with Apple  in charge of or the logistics of the new channel. But it could be an extra revenue. I dont know the details, but I can imagine that labels will get some benefit depending on how many times each song is played in the new service. And the songs in that service have already been bought by the user, but Apple is paying the labels again for upload them in the cloud. So for each song that the labels sold once through Itunes, they are automatically selling it twice, with no cost for them. Apple charges a fee to the user, and the user can listen to the music he/she had already pay for. In one word, Nice!.

“The Hobbit” Films Get Titles and Release Dates

martes, 31 de mayo de 2011 - Publicado por Manuel en 10:55
Good news for the fans of the wizards, rings, and small people! Yesterday, Peter Jackson, director of the masterpiece The Lord of the Rings movies, announced the titles and release dates of the long time announced “The Hobbit” movies. The first one, called “The Hobbit: An unexpected Journey” (as a wink to the book´s first chapter, An unexpected party), to be released in Dec. 14 2012, and the second, called “The Hobbit: There and Back again” (as the book written by the main character Bilbo Baggins), to be released in Dec 13, 2013.


Are you talking to me?

My first reaction when I knew that Peter Jackson convinced MGM to divide the adaptation of the book in two movies I felt just the opposite as when I knew the LOTR books would be adapted in three books. At that time I was excited, willing to see a lengthy adaptation to an epic history, with plenty of room to create a film as much as accurate as the book. On the other hand,one of the reasons The Hobbit is a really good book,  it´s because is an small book, full of action. LOTR, even if an epic book, it´s sometimes too long.

So I started to crunch some data to see how this 320 pages book could be spread in two movies.





As you can see, there is an average of 850 words per minute of filming in the three LOTR movies. The Hobbit has 95k words, so assuming a duration of the new movies of an hour and 40 minutes (100 minutes), these are the results:





It seems that Jackson will need to be “creative” in order to deliver an acceptable movie. Some people say, that there are many things in the Tolkien´s universe that do not form part of the main books, and that those parts could be added as parallel plot lines, exploring the life of Aragorn before LOTR for example (he does not appear in The Hobbit).

As a big fan of LOTR as I am, my opinion is, this is bullshit. There is no way Jackson can make an accurate adaptation of TH in two movies. More over, if LOTR movies had the support and the boost these movies achieved, it was not because of grandma and grandpa going to the theater to check what people is talking about, it was because of the many fans that recognized a great, faithful adaptation made by a big fan of the books.



But of course, Hollywood lives by two words, blockbusters and franchises. So what would be better than a movie with an established base of fans, a sure bet in a world threatened by piracy and in constant change? The answer of course, it´s two movies. But will this strategy work?. According to Box Office Mojo, in the next chart you can read the budget and revenues of every LOTR movies (values in blue are assumptions).




With revenues 10 times as high as their budgets, these movies were great blockbusters. New Line Cinema was satisfied for sure. But Hollywood producers are greedy, and there is nothing they like the most than getting a successful and good movie, and squish it to get as much as money from it, by releasing sequels,prequels, and other equels. If The Return of the King had a budget of 93 million $, each of The Hobbit movies will have a budget of 250 million $. If MGM want to obtain as much as profit, let´s say 10 times, each one of the new movies should get 2500 million $ in revenues. The biggest blockbuster of all times, James Cameron Avatar, got 2700 million $. Even if not impossible, it is a difficult task to achieve.

HBO announced the second season of "A Game of Thrones"

lunes, 30 de mayo de 2011 - Publicado por Manuel en 4:48
In a not surprising move, HBO announced the release of the second season of A song of Ice and Fire series next year, just after the first season premiere.

Yeah, I played Boromir in the LOTR, and he died. Why do you ask that?



A game of thrones is the first book of A Song of Ice and Fire cycle, an epic fantasy saga compared with Tolkien´s LOTR, with every new release being a best seller.

HBO is a US based television network,owned by Time Warner, focus in providing content to an adult audience, from boxing shows, to PG-13 tv series. HBO is most known now for its original series, most of them being received with great success by critic and public. With TV blockbusters from The Sopranos to Rome, HBO created a new format in TV, based in 1-hour dramatic series with explicit content, with higher budgets than its competitors. As an example, as of 2005 ,  the award winning Rome tv show costs were about 8.75 million dollars per episode, with an average of the industry of 4 million in 2005.

HBO moved one step further late in 2010 by announcing the release of a tv show based in a Game of thrones. This movement was, in my opinion, a perfect alignment for the company. First, because these books have already a loyal base of fans, that would be excited to see how their imagined universe became real.Second, because these novels are as explicit as a book can be, and HBO fans really like the image of “we censor nothing” that this channel shows. Third, because those loyal readers and those HBO fans are probably the same people.

Lets talk a little about money. One could say, “hey, but those people who like epic fantasy books and action tv shows, are not the ones downloading illegally movies and stuff?” Well, that is partially true. But Internet users are not yet the main revenue source for HBO.  The core business for HBO its still being a cable TV channel, offered in bundle with other channels as a part of the offer of telecom operators selling entertainment packages with Internet, Cable TV, and landline. Then it comes license sales for other tv channels (generally outside US). After those revenue sources, HBO realized that video on demand, online streaming sales are also important, specially once you have an established channel (HBO GO, a VOD online platform). More over, there even exists an iphone/android app, so smartphone users can watch their favorite tv shows on their devices. And finally, once the tv show is not a novelty, here it comes the DVD/Blue ray sales, collector´s edition and so on.

By looking at the numbers, A Game of thrones has been successful with the tv viewers and it helped it mother company to boost its benefits in Q1 2011. So how to capitalize the production costs (around 4,5 million $ per episode) of a popular product.

Of course, the easiest way is to keep broadcasting it as long as there are people interested in watching it. HBO showed the premiere of AGOT about 4 times the first week, in different time ranges, and in every HBO channel(like HBO latino for example).

And the second way of course, is to keep going with a successful franchise. And that is the reason why, even only after the first episode, HBO started the pre-production of the second season. Hopefully they will continue doing as good as they are doing now.

Editor Vows George R. R. Martin Has Finished ‘A Dance With Dragons. A Publishin Industry analysis

martes, 24 de mayo de 2011 - Publicado por Manuel en 2:16

(This is an analysis for Master in Digital Business I´m enrolled in. Its quite long, so take it easy)



On April the 27th, and after more than 5 years of delay, George R.R. Martin, author of the lately famous A Song of Ice and Fire novels, announced that he had finished the writing of his fith novel based on the Seven Kingdoms, A Dance with Dragons. Moreover, his editor told that the book is wil be released in July the 12th. Martin used a more visual image to express it.

ASIF saga, has been around for awhile, with the first book released in 1996. However, even if it has been around for many years, only recently started to gain the mass attention.
The reason, of course, it´s HBO announcing last year their plan to release a ASIF TV Show, based on the first book, A Game of Thrones. Suddenly, a novel mainly known by Fantasy novels fans is now in everyone´s mouth.


As a personal comment,I recommend everyone to read the book before watching the show. The other way round does not work normally.Two days ago I had to explain to my father the first episode, and who was who. I felt really connected to him, like if finally we were sharing some of the “geek” stuff i had been doing for the past 15 years.

Of course, the added value of HBO content is that the sales of the book boomed, as people started to know it.
boo, stands for book btw.

I have no data to support this boost in GOT sales, but regarding my experience, ASIF is a saga marketed by word of mouth. I started to read because a friends told me it was amazing, and he lent it to me. And then i asked him for the other three books. Not only that, since then (i think it was 2003), I recommended it ti every friend i knew that liked this kind of novel.

I will now explain how the publishing industry works. Basically, you have the writer, the publisher, and the retailer. The talent, the “talent”, and the guy who sells it, in other words. More in depth:
-The writer is the one who has the idea, creates the content, and develop it to tell an story. Hopefully an interesting story, that people will pay to read.
-The publisher does all the post production, which turns the story into a book. The editor will get the writter in touch with experts on the field, will recommend the writer what works and what not, regarding his experience, market the product, choose the book format that fits the best with the book,print it, and negotiate with distributors /wholesalers for the best price. Normally they offer money in advance to the writer, so he can focus on writing, instead of other things, like paying the bills.
-Wholesalers/retailers (let`s call them distributors), basically move the product closer to the final customers, and keep them safe meanwhile.

About the revenue sharing model, as an example, for a book sold at 10$, retail will get 5$, 2$ goes for the publisher overheads, 1.5$ go to the author´s royalties, 1$ goes to paper and printing, and 50 cents is profit.

About the talent, as a writer comments, “Publishers aren´t doing it for the love of books”. This is business. So when a writer wants to sell a book to a publisher, first he has to think about who is going to buy it and why. So or either you are a famous author (or simply famous) and people want to read your next publication, or either you are writing about something that works, that already worked. Think about how many books synopsis start with “A secret society, has been keeping a secret for hundreds of years, but now, a doctor/detective/nerd discovered it, so they have to kill
him”. All of these similar books came out after Da Vinci Code was popular, and open a new trend (crappy fake-history books on this case). In this industry, “original” means “new”, and “new” means “risky. Specially if you have to print the copies before you know if the public will like the book.

As I told before, ASIF wasn´t known in its early years, even if it was honoured with many awards. It was Peter Jackson, and the Lord of The Rings movies, that made fantasy fiction mainstream. Many people that thought before fantasy was for nerds were now reading LOTR, Narnia Chronicles and so on.

About the value a publisher provides, it depends on who you are. If you are an unknown writer, to get the publisher´s support will help you a lot, with advice, contacts, and a good way to promote yourself and make you the next bestseller on the shelf. All for a piece of the pie of course (ranging 30% to 80% of the final price).
Self publishing is another option. By working with online publishers or printing the copies himself, the author can make as much as three times the benefit for the first 10,000 copies.
So for George R.R. Martin, as a famous writer he is nowadays, I see self publishing as an interesting option to consider. Readers will love to buy the next book in the Saga. Of course, there could be a problem, with Random House, the biggest English publisher and ASIF publisher going against George, trying to force the retailers to not have A Dance with Dragons on their shelves. But on this market, distributors have the final word, with Barnes & Noble making about 5 billion $ in sales every year, and Random House doing 2 billion $ (2007 data).

So RH is a big player, but publishing is a fragmented market, and RH  only has 18 % of the book market.
Apple and Amazon together are 70% of the ebook market. I guess they could survive with 20% of the books the sell.
And in this industry, electronic books are the only future. So George gets three times less as he could earn by self publishing himself. And as an experienced, bestseller writer, what is he obtaining now in return?. Not the writing advicing service, as I am sure that George will know better that his editor what fans like about his novels. Fans write him everyday, through email or his blog. Not the Public relations, because George does that on his own blog online everyday. About the agreements with retailers, that just a matter of numbers. Even if George sold his book in electronic format on his website, it would be a success, because people is actively looking for it. An smaller success for sure, but much more profitable for him.

PlayStation Network hack, down time may cost Sony billions

Publicado por Manuel en 2:13

As you may know, Sony Playstation Network, the online platform providing services to the Playstation 3 users, suffered an attack by a group of hackers a month ago (Whether the hacktivist group Anonymous was involved or not its argueable). A group of hackers managed to get access to PS users database, obtaining data from almost 10 million users, credit card information, cvv codes and more. The story went on , with users from underground forums offering these databases for sale, arguing that Sony did not want to buy it.It seemed that the servers Sony was using were not updated, and there was no firewall to block incoming connections. Even my wi-fi connection seems to be safer.


Yesterday, Sony announced that the Playstation Network may not be fully back till May the 31st, and analysts estimated a loss for Sony of £758.8millions. That £ means  British pounds, by the way.

So basically, we have a system when a company, Sony, owns the physical platform (hardware) for videogames, and the online platform (channel), the Playstation Store, where PS3 owners can buy games and Downloadable content (DLC)  for their Blue Ray videogames. All paid in cash of course. There is a trend in game developing to offer games at lower prices, and then add extra features as DLC that the user can purchase. This way the streams of revenue for both Sony and publishers increase, mainly because these DLC are all in digital format, with almost no cost attached. I tried to find the P&L for Playstation, but with no success.

So a disruption on the only channel publishers can sell their addons for their games, is hurting them. On an industry mainly based on time to market, where a delay on a videogame can make the company behind it loose money (ask why most of the releases are before Christmas, or better, ask 3D Realms what happened with Duke Nukem Forever)

As an example, Activision was about to release an addon for their most succesful game, Call of Duty: Black Ops. And the delay is making them millionaire losses. The same for Capcom. I hope the publishers are not using this as an excuse to sue Sony and get some millions back, at the traditional US style.
In my humble opinion, its not a big deal if publishers loose some bucks. Its not like they had many other choices to sell their products, specially now that most of them provide almost the same videogame to both platforms, XBOX 360 and PS3. The big problem, and that is unavoidable, is that this problem will cause a big damage to the trust users had on the PSN, and in the beginning of the 21st century, online payments are not perceived as reliable as real cash deals. This could make Playstation to loose many potential new users of their platform, or make actual users beware of purchasing content online. Moreover, if the credit card database starts to spread, Sony would be reliable for all the losses the users face. The nightmare for Sony has only started.